Charles Vess

The first is to throw some sort of light on the development of magic in the British Isles at different periods; the second is to introduce the reader to some of the ways in which Faerie can impinge upon our own quotidian world, in other words to create a sort of primer to Faerie and fairies.

The title story, "The Ladies of Grace Adieu", falls into the first category, with a poignant depiction of the difficulties faced by female magicians during the early nineteenth century – a time when their work was simply dismissed by their male counterparts (here amply represented by Gilbert Norrell and Jonathan Strange).

"On Lickerish Hill" and "Antickes and Frets" both describe the somewhat easier, less fraught relationship with fairies and magic which our English and Scottish ancestors once enjoyed.

Women do seem to have fared somewhat better in these perplexing circumstances; the heroine of "Mrs Mabb", Venetia Moore, consistently demonstrates an ability to intuit the rules of Faerie, which the older and more experienced Duke is quite without.

"Tom Brightwind or How the Fairy Bridge Was Built at Thoresby" remains a tale replete with interest for the student of Faerie.

"John Uskglass and the Cumbrian Charcoal Burner" is an example of that genre of stories (much loved by the medievals) in which the rich and powerful are confounded by their social inferiors.

It further occurred to him that he was just as rich as ever and that, though his home already contained one pretty, young woman (his niece and ward, Cassandra Parbringer), he did not believe that another would go amiss.

Cassandra Parbringer at twenty was considered an ideal of a certain type of beauty to which some gentlemen are particularly partial. A white skin was agreeably tinged with pink.

Mr Field, a gentleman not remarkable for his powers of observation, confidently supposed her to have a character childishly naive and full of pleasant, feminine submission in keeping with her face.