Paul Laird

Paul Laird is an English journalist, blogger, and author of The Birth and Impact of Britpop: Mis-Shapes, Scenesters & Insatiable Ones, 2022. Not to be confused with Paul Robert Laird, an American musicologist from Louisville.

Paul Laird is a podcaster who has been celebrating and critiquing Britpop since 2015. His Britpop memories offer a unique insight into the era. As well as writing about Britpop he is a regular contributor to BBC Radio Scotland’s “Classic Scottish Albums” podcast.

Paul Laird is a former Edinburgh Write Here Academy student. He has written about Britpop and music in general for many years, as both a blogger and podcast host.

"I’d been writing about Britpop, and music in general, on my site (The Mild Mannered Army… which is now deceased) for about three years. I’d written hundreds of articles, and thousands of words and had built up a reasonable audience. I also had a podcast where I interviewed musicians and writers. That led to my being contacted by Marc Burrows. He’d written a book about Terry Pratchett, and he was looking for someone who could write something on Britpop. I put an outline together for a book, as well as a sample chapter, then submitted that to the publisher… and now I’m a published writer," said Paul Laird in an interview.

His debut non-fiction book The Birth and Impact of Britpop published by Pen & Sword Books. The book tells the story of the explosion of indie music into the mainstream in 1991 — and the cultural revolution that followed. It also delves into the earlier ‘Madchester’ scene, from which many beloved Britpop bands jumped up.

Now Paul Laird is working on a novel based on his experiences of being raised as a Mormon.

Photo credit: Twitter @MildManneredMax

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Roberto Garzahar citeretsidste år
Of course grunge wasn’t really about pop, it was rock music - without any of the roll.
Karina Bychkovahar citeretfor 2 år siden
Oasis’ arrival and the massive success of ‘Definitely Maybe’ had a devastating impact on popular culture. While it is undeniably a great album, the truth is that it was also the signal for the end of the line for indie music - and that was what Britpop really was, a gaggle of bands who, a decade earlier, would never have caught the attention of major labels or television but who thanks to a wave of nostalgia, the death of Kurt Cobain and the desire for something to believe in had become genuine pop stars. Jarvis Cocker and Pulp had been releasing records since 1983 without anyone ever knowing they existed. Saint Etienne’s ‘Fox Base Alpha’ had just scraped into the top forty albums in 1991. Anyone who thinks that Suede would have enjoyed the same sort of success if they had arrived in 1986 is delusional. Britpop from the very start was about art school aesthetics, effeminate boys, charity shop clothes and cult television and film.
Karina Bychkovahar citeretfor 2 år siden
Oasis erased all of that within six months and ushered in something very different, something less delicate and something much uglier too.

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