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Charlotte Perkins Gilman

Charlotte Perkins Gilman was an American sociologist, novelist, writer of short stories, poetry, and nonfiction, and lecturer for social reform. She is best known for her short story The Yellow Wallpaper (1892), a classic of early feminist literature.

Charlotte Perkins Gilman was born in Hartford, Connecticut. She grew up in a prominent family. Gilman attended seven different schools for a total of only four years, graduating at the age of fifteen. However, her father abandoned the family when she was young, and her mother struggled financially. This experience had a lasting impact on Gilman and influenced her later work.

In 1878, the eighteen-year-old enrolled in classes at the Rhode Island School of Design with the monetary help of her absent father and subsequently supported herself as an artist of trade cards. Charlotte was a tutor and also a painter.

In the late 19th century, Gilman became involved in the women's rights movement. She believed in social reform and advocated for women's economic independence and equality. Her writing often explored issues such as women's oppression, the role of motherhood, and the need for women to have careers and personal fulfillment.

Her best-remembered work today is her semi-autobiographical short story, The Yellow Wallpaper, which she wrote after a severe bout of post-partum depression.

It addresses the restrictive gender roles and the damaging effects of the so-called "rest cure" for women suffering from mental health issues.

Apart from her fiction writing, Gilman wrote numerous essays and nonfiction works, including Women and Economics (1898), in which she argued for women's economic independence to achieve social equality. She also founded and edited a feminist magazine called The Forerunner, through which she expressed her ideas and engaged in discussions about women's rights.

Charlotte Perkins Gilman faced a tragic end to her life. In January 1932, she received the devastating diagnosis of incurable breast cancer. Known for her advocacy of euthanasia, Gilman ended her life with an overdose of chloroform.
leveår: 3 juli 1860 17 august 1935

Citater

Sandra Michaelhar citeretfor 3 måneder siden
I cry at nothing, and cry most of the time.

Of course I don't when John is here, or anybody else, but when I am alone
Soliloquios Literarioshar citeretfor 2 år siden
Nobody will ever believe how they looked. Descriptions aren't any good when it comes to women,
Soliloquios Literarioshar citeretfor 2 år siden
haven't said where it was for fear some self-appointed missionaries, or traders, or land-greedy expansionists, will take it upon themselves to push in. They will not be wanted, I

Vurderinger

CrushedUnderAStackOfBookshar delt en vurderingfor 7 timer siden
👍Værd at læse

This is a masterpiece, and NEVER in my life did I mean it as I do now.

Our main character is a woman possibly suffering from postpartum depression, with the possibility of phosphorus poisoning from the knuckle pills, which explains the fall into delirium and the obsessive thoughts.

The description of wallpaper leads us to think that it most likely contained Arsenic, as most pigments did at the time, leading the previous children to tear the paper. The transparency that is described however may indicate the use of Turner's yellow, which I am no painting expert or historian, but was made with lead and may also lead to lead poisoning, as indicated by the thick air and scent that hovered over her from the deteriorating paint.

When first met with the wallpaper, it disgusts her, and as she continually observes it, she comes to accept it and understands it. her obsession with the wallpaper intrigues her family, but they fail to understand it as she does. You can also see the motherly love in her when she decides she would rather suffer it than her child.

The yellow wallpaper with the white bulbous patterns and patches speaks of the restrains placed on women at the time. the women escape at night which is the time that her family is asleep while she stares at the wallpaper. When it is daytime, she is quiet and so are the women, but they continually stare at her as if Calling her to set them free (set herself free), and they crawl around the property as she does, always in the shadows. At last, she joins the women in the wallpaper.

Last but not least, her husband is a shyt doctor.

  • Adeliahar delt en vurderingsidste år
    🔮Overraskende

    The whole story was quite boring but the ending was shocking, although I had to read over the ending twice to understand, but once you understood it, you surely are gonna be like 😦

  • nefelipalaihar delt en vurderingfor 6 måneder siden
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    👍Værd at læse

    The original story absolutely worth reading although kind of hard if you are not a native speaker

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