Joseph Campbell

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation.

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation.

In the absence of an effective general mythology, each of us has his private, unrecognized, rudimentary, yet secretly potent pantheon of dream.

Now began immediately a great battle for possession of the invaluable drink. One of the titans, Rahu, managed to steal a sip, but was beheaded before the liquor passed his throat; his body decayed but the head remained immortal. And this head now goes pursuing the moon forever through the skies, trying again to seize it. When it succeeds, the cup passes easily through its mouth and out again at its throat: that is why we have eclipses of the moon.

the symbols of mythology are not manufactured; they cannot be ordered, invented, or permanently suppressed

Only birth can conquer death—the birth, not of the old thing again, but of something new.

Dream is the personalized myth, myth the depersonalized dream

HAPPY families are all alike; every unhappy family is unhappy in its own way.

Campbell was exposed not only to the great, groundbreaking novels of James Joyce and Thomas Mann and the radical art of Pablo Picasso, Antoine Bourdelle, and Paul Klee, all of whom integrated mythic motifs into their very modern work, but also to the revolutionary psychological teachings of Sigmund Freud and Carl Gustav Jung. These last two brought young Joseph Campbell to the epiphany that, as he would later put it, “Myths are public dreams; dreams are private myths.”[1]

It has always been the prime function of mythology and rite to supply the symbols that carry the human spirit forward, in counteraction to those constant human fantasies that tend to tie it back.