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moments, intuitive or aesthetic, the apprehension or tasting of the work of art, and intellective, the critical and historical judgment,—a difference wrongly disputed from one point of view by sensationalists and from another by intellectualists,—stands out so
but to say whence comes that particular form of enchantment, to determine that is to say, the character of the inspiration that moved Ariosto, his dominant poetical motive, the peculiar effect which became poetry in him, is a very different undertaking and one of no small difficulty
allegory, contained in a moral judgment as to Italian life at the time of the Renaissance, lost in its pursuit of love, like the Christian and Saracen knights in their pursuit of Angelica (Canello
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