en
Simon Reynolds

Bring the Noise

Giv mig besked når bogen er tilgængelig
Denne bog er ikke tilgængelig i streaming pt. men du kan uploade din egen epub- eller fb2-fil og læse den sammen med dine andre bøger på Bookmate. Hvordan overfører jeg en bog?
Bring the Noise weaves together interviews, reviews, essays, and features to create a critical history of the last twenty years of pop culture, juxtaposing the voices of many of rock and hip hop’s most provocative artists—Morrissey, Public Enemy, The Beastie Boys, The Stone Roses, P.J. Harvey, Radiohead—with Reynolds’s own passionate analysis. With all the energy and insight you would expect from the author of Rip It Up and Start Again, Bring the Noise tracks the alternately fraught and fertile relationship between white bohemia and black street music. The selections transmit the immediacy of their moment while offering a running commentary on the broader enduring questions of race and resistance, multiculturalism, and division. From grunge to grime, from Madchester to the Dirty South, Bring the Noise chronicles hip hop and alternative rock’s competing claims to be the cutting edge of innovation and the voice of opposition in an era of conservative backlash. Alert to both the vivid detail and the big picture, Simon Reynolds has shaped a compelling narrative that cuts across a thrillingly turbulent two-decade period of pop music.
Denne bog er ikke tilgængelig i øjeblikket
696 trykte sider
Oprindeligt udgivet
2011
Udgivelsesår
2011
Har du allerede læst den? Hvad synes du om den?
👍👎

Citater

  • Nickolay Ovchinnikovhar citeretfor 11 timer siden
    If The Smiths had only produced sunny, cuddly stuff like ‘Heaven Knows’, ‘Ask’, ‘Vicar in a Tutu’, they would have merely presaged the perky negligibility of The Housemartins, the sound that grins itself to death.
  • Nickolay Ovchinnikovhar citeretfor 3 dage siden
    In The Smiths, for instance, the refusal of maturity is as much a rejection of the strictures of adult sexuality as of work.
  • Nickolay Ovchinnikovhar citeretfor 3 dage siden
    Moreover, latent in our indie scene are ideas that echo the concerns of the sexual/psychoanalytical politics of the sixties. The flirtation with androgyny and camp, the prevalence of love songs with genderless love objects and free of fixed sexual protocol, the defence of sensitivity and ‘the wimp’, the refusal of performance-oriented sex – all these connect not just with feminism but with radical psychoanalysis’s project of a return to the ‘polymorphous perversity’ of the child (an undirected and limitless sensuality).

På boghylderne

fb2epub
Træk og slip dine filer (ikke mere end 5 ad gangen)