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Jan Swafford

Beethoven

This “monumental” portrait of the man, his music, and the world in which he lived is “a truly remarkable biography” (The Christian Science Monitor).
Jan Swafford’s biographies of Charles Ives and Johannes Brahms have established him as a revered music historian, capable of bringing his subjects vibrantly to life. His magnificent new biography of Ludwig van Beethoven, more than a decade in the making, peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music.
Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works.
“Swafford’s writing on Beethoven’s music is perceptive and illuminating. But just as impressive is his sympathetic portrait of Beethoven the man. [The book] does not diminish any of the composer’s flaws. Instead, it suggests that these flaws were inconsequential compared with the severity of the composer’s anguish and the achievement of his music.” —The Washington Post
“Comprehensive, detailed, and highly readable . . . an entertaining biography that should find favor with music lovers and history buffs.” —Seattle Times
“A saga of a man at odds with so many things: convention, social mores, himself, women, his family . . . one gets a better sense of how this roiling personality produced works to roil the human soul.” —The Boston Globe
1.611 trykte sider
Oprindeligt udgivet
2014
Udgivelsesår
2014
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Citater

  • Katarina Ningrumhar citeretfor 7 år siden
    I don’t believe any person’s life is lived to be “interpreted,” by strangers, for money. Every person’s life is ultimately a mystery, even to him- or herself. That is the moral source of the humility with which I write biography. But art is created to be enjoyed, to move, to excite, to soothe and provoke, to teach, to be discussed, indeed to be interpreted.
  • Katarina Ningrumhar citeretfor 6 år siden
    Before the Third Symphony, symphonies and concertos had largely been considered public and in some degree popularistic pieces written to be put together in a hurry, sometimes more or less sight-read in performance.
  • Katarina Ningrumhar citeretfor 6 år siden
    What is emotionally profound and universal in Beethoven’s music is what he observed in himself.

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