en
Ulla-Lena Lundberg

Ice

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The epic of Island Life that has gripped Finland Winner of the Finlandia Prize Nominated for the Nordic Criti Prize It is the summer of 1946. A novice Lutheran priest, his wife and baby daughter arrive at a windswept island off the coast of Finland, where they are welcomed by its frugal, self-sufficient community of fisher folk turned reluctant farmers. In this deeply atmospheric and quietly epic tale, Lundberg uses a wealth of everyday detail to draw us irresistibly into a life and mindset far removed from our own – stoic and devout yet touched with humour and a propensity for song. With each season, the young family’s love of the island and its disparate and scattered inhabitants deepens, and when the winter brings ice new and precarious links appear. Told in spare, simple prose that mirrors the islanders’ unadorned style, this is a story as immersive as it is heartrending.
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480 trykte sider
Oprindeligt udgivet
2016
Udgivelsesår
2016
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Citater

  • jazzinghar citeretfor 3 år siden
    Best not to think about the joy with which she unpacked everything and arranged it all in the parsonage. It’s a feeling she’ll never have again, but she can still have order and method in her life, and perspective. It’s a job, a project, a duty, and it can be done effectively and without a lot of sloppy sentiment.
  • jazzinghar citeretfor 3 år siden
    For what happens at a funeral is that the survivor is thrust back into the family and clan that she believed she had escaped. The priest’s wife sees them approaching and surrounding her and cutting her off from the parish community she has been a part of, from the new friends who are not burdened by ties to the past or by double loyalties. From the settings in which she is a free and independent individual, freed from the troubles and failings of her youth. All this will be taken from her. The dear people of the Örlands will be shoved aside by the approaching relatives, who will return her triumphantly to the scenes of her deepest defeats, where she had constantly to assert her right to a life of her own, now spent.
  • jazzinghar citeretfor 3 år siden
    On the Örlands, it seems natural to avoid a petty focus on people’s shortcomings, seductively easy at times to be indulgent towards wickedness that can’t be ignored. The free-spoken Örlanders open the box a bit and out slips something about tyrannical husbands, swindlers, and adulterers, and, secondhand and only as a rumour, and in whispers, a hint about rape and bestiality. He can talk seriously with a sinner who seeks him out, he can try to help a victim, but the public condemnation that Adele expects of him is beyond his capacity.

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