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Kurt Vonnegut

The Sirens of Titan

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The Sirens of Titan (1959), Vonnegut’s second novel, was on the Hugo final ballot along with Robert Heinlein’s Starship Troopers and lost in what Harlan Ellison called a monumental injustice. Malachi Constant is a feckless but ultimately good-hearted millionaire who, in this incondensable interplanetary Candide (lacking perhaps Voltaire’s utter bitterness), searches the solar system for the ultimate meaning of existence.
Constant is aided by another tycoon, Winston Rumfoord, who, with the help of aliens, has discovered the fundamental meaning of life. With the help of Salo – an alien robot overseeing the alien race, the Tralmafordians (who also feature in Slaughterhouse-Five) – Constant attempts to find some cosmic sense and order in the face of universal malevolence. Constant and Rumfoord deal with the metaphysics of “chrono-synclastic infundibula” and the interference of the Tralmafadorians. The novel is pervaded by a goofy, episodic charm which barely shields the readers (or the characters) from the fact of what seems to be a large and indifferent universe.
ll of Vonnegut’s themes and obsessions, further developed or recycled in later work, are evident here in a novel slightly more hopeful than most of his canon. It is suggested that ultimately Constant learns only that it is impossible to learn, that fate (and the Tralmafadorians) are impenetrable. On the basis of this novel, Vonnegut was wholly claimed by the science fiction community (as the Hugo nomination demonstrated) but he did not reciprocate, feeling from the outset that to be identified as a science fiction writer would limit his audience and trivialize his themes. His recurring character, the hack science fiction writer Kilgore Trout (prominent in Slaughterhouse-Five) was for Vonnegut a worst case version of the writer he did not wish to become.

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  • Alex Yermolenkohar citeretfor 9 måneder siden
    "When I ran my space ship into the chrono-synclastic infundibulum, it came to me in a flash that everything that ever has been always will be, and everything that ever will be always has been."
  • Jezza Gearhar citeretfor 2 år siden
    Everyone now knows how to find the meaning of life within himself.

    But mankind wasn't always so lucky. Less than a century ago men and women did not have easy access to the puzzle boxes within them.

    They could not name even one of the fifty-three portals to the soul.

    Gimcrack religions were big business. Mankind, ignorant of the truths that lie within every human being, looked outward - pushed ever outward. What mankind hoped to learn in its outward push was who was actually in charge of all creation, and what all creation was all about.

    Mankind flung its advance agents ever outward, ever outward. Eventually it flung them out into space, into the colorless, tasteless, weightless sea of outwardness without end.

    It flung them like stones.

    These unhappy agents found what had already been found in abundance on Earth - a nightmare of meaninglessness without end. The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.

    Outwardness lost, at last, its imagined attractions.

    Only inwardness remained to be explored.

    Only the human soul remained terra incognita.

    This was the beginning of goodness and wisdom.

    What were people like in olden times, with their souls as yet unexplored?
  • Michael Nockovhar citeretfor 2 år siden
    The palace was, of course, Dun Roamin, Rumfoord's Taj Mahal. Constant wasn't surprised to see the palace out there. He had seen it when he disembarked from his space ship, had seen it shining out there like St. Augustine's City of God.

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