en
Roman Muradov

On Doing Nothing

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In an age of obsessive productivity and stress, this illustrated ode to idleness invites you to explore the pleasures and possibilities of slowing down.
Beloved author and illustrator Roman Muradov weaves together the words and stories of artists, writers, philosophers, and eccentrics who have pursued inspiration by doing less. He reveals that doing nothing is both easily achievable and essential to leading an enjoyable and creative life. Cultivating idleness can be as simple as taking a long walk without a destination or embracing chance in the creative process. Peppered with playful illustrations, this handsome volume is a refreshing and thought-provoking read.
“Whimsical, clever, and companionable . . . On Doing Nothing provides a much-needed correction to our distracted, anxiety-ridden, and increasingly disembodied culture. Muradov has written and illustrated a kind of Situationist, Oulipian Ways of Seeing—a manual for clarity and presence, a book which issues a call to attention; a call to pay attention. The smart yet approachable philosophical reflections unfold like a leisurely stroll through a beautiful and unfamiliar city, provoking thoughtfulness and eliciting in the reader a spirit of discovery.” —Peter Mendelsund, author of What We See When We Read
Denne bog er ikke tilgængelig i øjeblikket
114 trykte sider
Oprindeligt udgivet
2018
Udgivelsesår
2018
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Citater

  • Ирина Осипенкоhar citeretfor 3 år siden
    Life is absurd and complicated.
  • Ирина Осипенкоhar citeretfor 3 år siden
    Sometimes, the only way to make sense of it is to complicate it even further and to celebrate the mess that comes out as a result. A roundabout way of arranging our possessions may not be sensible, but it may give the day-to-day a bit of extra color.
  • Ирина Осипенкоhar citeretfor 3 år siden
    The negative space between the swatches can be part of the palette, and the combination of two colors can create a third one, as in the illustrations that accompany this text. Likewise, books aren’t isolated containers of information; they talk and argue with each other, and change their tone and pitch according to the order in which they are examined.

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