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Daisy Hildyard

The Second Body

Every living thing has two bodies. To be an animal is to be in possession of a physical body, a body which can eat, drink and sleep; it is also to be embedded in a worldwide network of ecosystems. When every human body has an uncanny global presence, how do we live with ourselves? In this timely and elegant essay, Daisy Hildyard captures the second body by exploring how the human is a part of animal life. She meets Richard, a butcher in Yorkshire, and sees pigs turned into boiled ham; and Gina, an environmental criminologist, who tells her about leopards and silver foxes kept as pets in luxury apartments. She speaks to Luis, a biologist, about the origins of life; and talks to Nadezhda about fungi in an effort to understand how we define animal life. Eventually, her second body comes to visit her first body when the river flooded her home last year. The Second Body is a brilliantly lucid account of the dissolving boundaries between all life on earth.

The White Review Books of the Year 2018

‘These are fretful, questioning essays with occasional flashes of beauty, demanding of readers that they think about anthropogenic disruption of climate and ecology.’
— Gavin Francis, Guardian

‘“Another creature’s experience is different, and we do not know how it is different”, writes Daisy Hildyard in The Second Body. This playful and original essay touches on the limits of our ability to imagine that experience. Hildyard, a novelist who was trained as a historian of science, tries to find the ways we intuit boundaries between our bodies and our ecosystems, between ourselves and other animals.’
— Jennie Erin Smith, Times Literary Supplement

‘With a voice that is both intimate and richly imaginative, [Hildyard] draws on sources spanning biology, ecology, literature, and sociology to illustrate the seeming paradox of human existence: that humans act individually and globally at once – that we act both in and on the world around us.... Hildyard’s book is a powerful exploration of how every human is both a singular being as well as one of many in the world.’
— Publishers Weekly

‘Part amateur detective, part visionary, Hildyard’s voice is so intelligent, beguiling and important. Like Sir Thomas Browne or even Annie Dillard, her sly variety of scientific inquiry is incandescent.’
— Rivka Galchen, author of Little Labors

‘In a series of rich, lucid meditations, rooted in conversations with others (butchers, biologists, etc.) and in illuminating readings of literature (Ferrante, Shakespeare, etc.), Hildyard guides the reader through questions about global warming, the illusive boundary between human and animal life, and more. The Second Body is a subtle, original attempt to see humanity more clearly.’
— Nathan Goldman, Lit Hub

‘Hildyard raps with butchers as they cut flesh, describes a river flooding her house, and pulls in larger questions about the permeability of all kinds of boundaries. Her exploration of being at once separate and intimately joined ... gave me just the sensory bombardment I was hoping for.’
— Nina MacLaughlin, The Paris Review

‘In its insistence on the illusion of individuality and on the participation of human animals in the whole of earthly life, The Second Body might be an ancient text; in its scientific literacy and its mood of ecological disquiet, Daisy Hildyard’s book is as contemporary as the morning paper. If ecstasy means to go outside oneself, the word usually carries connotations of chaos and inarticulacy. Here, however, is a precise and eloquent ecstasy – and this slender book about who we are beyond our own skins is likewise much larger than itself.’
— Benjamin Kunkel, author of Utopia or Bust

‘Daisy Hildyard has turned her curious, sifting, brilliantly original mind onto the pressing ecological questions of our age. The result is a series of essays as captivating as they are delightful, their object no less than to quietly rewire our thinking.’
— Sarah Howe, author of Loop of Jade

‘Hildyard takes us on a white-knuckle philosophical ride through identity, agency, ecology and molecular biology, leaving us vitally disconcerted, but with a strange new sense of community and solidarity. A curious, oblique, important, and fascinating book.’
— Charles Foster, author of Being a Beast

‘In The Second Body, Daisy Hildyard gives a body to an idea in a series of curious encounters that take us from the floor of a butcher shop to the computer room of a biologist to the wreckage of a flooded home. Heady and visceral both, this essay revels in the mess and splendour of the world.’
— Eula Biss, author of On Immunity

‘I'm thankful for The Second Body by Daisy Hildyard, a moving, book-length essay that examines the different ways in which human and animal bodies are linked, both at a physical and visceral level and at the most difficult-to-picture planetary level. Hildyard's writing stretches the mind, pushes you to not just acknowledge but feel the connection between a piece of meat at the butcher's shop and the flight path of a pigeon.’
— Alexandra Kleeman, Buzzfeed

‘At only 118 pages, The Second Body reads like an extra-lengthy New Yorker article, invoking a similar journalistic rhythm that favors one unbroken reading ... the reward for staying with it in a single sitting allows for the true beauty of Hildyard’s project to unfurl like a planet-sized nickelodeon, one that can be appreciated on many levels.’
— Michael Barron, Culture Trip

‘Pensive ... a small meditation on our place in the world’
— The Spinoff

Daisy Hildyard’s first novel, Hunters in the Snow, received the Somerset Maugham Award and a ‘5 under 35’ honorarium at the USA National Book Awards. Her essay The Second Body, a brilliantly lucid account of the dissolving boundaries between all life on earth, was published by Fitzcarraldo Editions in 2017. She lives with her family in North Yorkshire, where she was born.
125 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2017
Udgivelsesår
2017
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Citater

  • Sandra Viviana Chisaca Leivahar citeretsidste år
    This pigeon

    did not greatly care about the young lady’s playing, except when she played the song of “Spera Si”, from Handel’s opera, Admetus; then it would come and sit by the window, testifying pleasure; when the song was over it would fly back to its dovecote, for it had
  • Sandra Viviana Chisaca Leivahar citeretsidste år
    This pigeon

    did not greatly care about the young lady’s playing, except when she played the song of “Spera Si”, from Handel’s opera, Admetus; then it would come and sit by the window, testifying pleasure; when the song was over it would fly back to its dovecote, for it had not
  • Sandra Viviana Chisaca Leivahar citeretsidste år
    did not greatly care about the young lady’s playing, except when she played the song of “Spera Si”, from Handel’s opera, Admetus; then it would come and sit by the window, testifying pleasure; when the song was over it would fly back to its dovecote, for it had not learned the art of clapping wings for an encore.

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