“The Book of Topiary” offers a captivating exploration into the artistry and history of shaping living shrubs and trees into ornamental figures and designs. This anthology traverses a fascinating world where botany meets art, offering insights into both traditional practices and innovative approaches. Within its pages, readers will find a diverse range of styles, from classical forms harking back to ancient landscapes, to contemporary interpretations that challenge artistic norms. Through vivid descriptions and comprehensive analyses, the collection captures the essence of this meticulous craft and its enduring appeal across cultures and eras. Standout pieces illuminate the balance between nature and design, immersing readers in the intricate beauty of topiary art without attributing these insights to individual authors. The anthology features contributions from W. Gibson and Charles H. Curtis, whose expertise establishes an informative dialogue on historical and modern perspectives. Their collective efforts reflect a profound understanding of the interplay between horticultural practice and artistic expression. Aligning with artistic movements that celebrate nature's form and the human desire to reshape it, this collection demonstrates an eclectic range of influences'Äîfrom Renaissance gardens to modern art landscapes. Through their writings, Gibson and Curtis offer a rich tapestry of insights that bridge the gap between past and present artistic conventions. “The Book of Topiary” is an indispensable resource for those eager to understand the artistic, cultural, and historical dimensions of this unique form of gardening. Through its pages, readers are invited to explore a world where tradition meets innovation, providing an educational journey through diverse interpretations of an age-old craft. This anthology is a dialogue between artists from different eras, fostering a deeper appreciation for the beauty and complexity of topiary art. Whether for educational enrichment or aesthetic inspiration, this volume offers a window into the living art form that has graced gardens across the globe.”}