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Sigmund Freud

Totem and Taboo

In “Totem and Taboo,” Sigmund Freud embarks on an ambitious exploration of the intersection between primitive culture and contemporary psychology. Utilizing a blend of anthropological theory and psychoanalytic insights, Freud examines the significance of totems—sacred symbols representing clans or tribes—and taboos—prohibitive social behaviors that arise from these symbols. The work is distinguished by Freud's innovative approach to linking the visceral rituals of early societies with the unconscious workings of the modern mind, creating a rich tapestry of thought that intertwines psychoanalysis with cultural critique. Set against the backdrop of burgeoning fields of anthropology and psychology in the early 20th century, this book stands as a seminal text in understanding the origins of social norms and human behavior. Freud, a neurologist and the father of psychoanalysis, drew inspiration from a diverse array of influences, including anthropology, mythology, and his own clinical observations. His deep investigations into the psyche were fueled by a desire to comprehend the roots of human civilization and the complexities of familial relations. “Totem and Taboo” reflects Freud's fascination with the intersections of the primitive and the civilized, as he sought to decode the psychological underpinnings of societal structures. This groundbreaking work is highly recommended for those interested in the foundations of psychology, anthropology, and cultural studies. Freud's provocative theories invite readers to contemplate the enduring impact of ancestral beliefs on contemporary societal constructs. Readers will find themselves engaging with timeless questions about identity, morality, and the unconscious as they navigate through Freud's compelling prose.
231 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2022
Udgivelsesår
2022
Forlag
DigiCat
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  • Ali Alizadehhar citeretsidste år
    CHAPTER I

    THE SAVAGE’S DREAD OF INCEST

    PRIMITIVE MAN is known to us by the stages of development through which he has passed: that is, through the inanimate monuments and implements which he has left behind for us, through our knowledge of his art, his religion and his attitude towards life, which we have received either directly or through the medium of legends, myths and fairy-tales; and through the remnants of his ways of thinking that survive in our own manners and customs. Moreover, in a certain sense he is still our contemporary:

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