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Vivian Gornick

Unfinished Business

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A New York Times Book Review Editors' Choice. One of Library Journal's Best Books of 2020.

One of our most beloved writers reassess the electrifying works of literature that have shaped her life
I sometimes think I was born reading … I can’t remember the time when I didn’t have a book in my hands, my head lost to the world around me.
Unfinished Business: Notes of a Chronic Re-reader is Vivian Gornick’s celebration of passionate reading, of returning again and again to the books that have shaped her at crucial points in her life. In nine essays that traverse literary criticism, memoir, and biography, one of our most celebrated critics writes about the importance of reading—and re-reading—as life progresses. Gornick finds herself in contradictory characters within D. H. Lawrence’s Sons and Lovers, assesses womanhood in Colette’s The Vagabond and The Shackle, and considers the veracity of memory in Marguerite Duras’s The Lover. She revisits Great War novels by J. L. Carr and Pat Barker, uncovers the psychological complexity of Elizabeth Bowen’s prose, and soaks in Natalia Ginzburg, “a writer whose work has often made me love life more.” After adopting two cats, whose erratic behavior she finds vexing, she discovers Doris Lessing’s Particularly Cats.
Guided by Gornick’s trademark verve and insight, Unfinished Business is a masterful appreciation of literature’s power to illuminate our lives from a peerless writer and thinker who “still read[s] to feel the power of Life with a capital L.”
Denne bog er ikke tilgængelig i øjeblikket
145 trykte sider
Oprindeligt udgivet
2020
Udgivelsesår
2020
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Citater

  • Sandra Viviana Chisaca Leivahar citeretfor 3 år siden
    Lately, I’ve found myself thinking about this large body of work written by Americans for whom Jewishness was central, and wondering how well it actually has transformed testament into a literature that will last. What, after all, can the ultimate achievement be of a body of prose riddled through with an anxiety that is nonstop complaint, an irony that barely masks supplication, and the kind of satire that deprives all but the narrator of empathy? How deep can it go, how far can it reach, how long endure
  • Sandra Viviana Chisaca Leivahar citeretfor 3 år siden
    Anomie and desire: a specialty in French literature that can be traced back at least as far as the 1792 publication of Les Liasons Dangereuses and carried forward at least as far as the mid-twentieth-century work of Marguerite Duras. For, after all, what is the work of Marguerite Duras if not an ongoing study of desire linked intimately to self-estrangement? With one important complication: as Duras is writing well into the Freudian century, it was impossible for her to not trace the origins of emotional disconnect to the family romance gone viciously wrong.
  • Sandra Viviana Chisaca Leivahar citeretfor 3 år siden
    Much as she wishes to be “free,” and much as she associates freedom with work, Renée’s resolve is repeatedly undermined by her conflicted desire for love. Struggle as she may, Colette is saying, a woman is always torn between the longing for independence and the even greater longing for passion. This is the dilemma that commands Renée’s real attention. Love has come, and love has gone: she knows its pleasures and its pains inside out. Should it come again, she muses repeatedly, will she give in to the siren song or will she resist it? She thinks about the emotional slavery that accompanies desire: the longings, the anxieties, the potential for humiliation. Still, the lure is powerful. The war within provides the excitement of transgression.
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