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Igor Ponosov

Russian Urban Art: History and Conflicts

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This book takes the format of an opinion-based essay. Moscow based artist Igor Ponosov tries to examine the power of street art in Russia by exploring its historical background, extending from the avant-garde movements of the early twentieth century, to the non-conformists and the actionists of the twenty-first century. It is an attempt to analyze as well as expand the potential of Russian street art by sharing examples of significant and relevant art phenomena and processes.
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Fania Balabanova

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  • ILENIA PUCCIARELLIhar citeretfor 2 år siden
    Until 1932, decorations took place on a grand scale. In city squares, on avenues, and in the streets of Petrograd, Moscow, and other cities, triumphal arches were erected, podiums were built, buildings and entire architectural ensem
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    • NIKOLAOS MANOLAShar citeretfor 4 år siden
      As can be seen from this review, many artists are often apolitical and do not adhere to any ideology. For many of them, street art and graffiti are just a game, the excitement of conquering urban verticals, and for some, simply a creative way to make money.
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      • NIKOLAOS MANOLAShar citeretfor 4 år siden
        The outburst of street art in Russia represents the growing maturity of civil society, reflecting the degree of social discontent at all levels, from the courtyard and the city to the country in general.
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