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Elisa Shua Dusapin

Winter in Sokcho

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‘A punchy first novel.’ — Guardian Top 10 Best New Books in Translation

As if Marguerite Duras wrote Convenience Store Woman — a beautiful, unexpected novel from a debut French Korean author

It’s winter in Sokcho, a tourist town on the border between South and North Korea. The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape.

The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows — the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.

An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Dusapin’s voice is distinctive and unmistakable.

‘Beautifully translated from the French by Aneesa Abbas Higgins, comes together slowly, like a Polaroid photo, its effects both intimate and foreign.’ — TLS

'Enigmatic, beguiling…This finely crafted debut explores topics of identity and heredity in compelling fashion. In its aimless, outsider protagonist there are echoes of Sayaka Murata's Convenience Store Woman.' — Irish Times

'The bustling seaside resort of Sokcho in South Korea is the perfect backdrop for this quietly haunting debut.' — Daily Mail

'Crisp and poetic.' — i

'Dazzling.' — Vogue Top Five Debuts

'A fascinating portrait of life in modern Korea.' — S Magazine
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76 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2020
Udgivelsesår
2020
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Citater

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    Pages of azure ink. And the man on the waves, feeling his way through the winter, slipping passively beneath the waves, an afterimage in his wake, a woman’s shoulder, belly, breast, the small of her back, the lines tapering to become a mere stroke of the pen, a thread of ink on the thigh, and on the thigh a long, fine
    scar
    carved with a brush
    on the scales of a fish.
  • Feriohar citereti går
    What matters is the light. It shapes what you see
  • Feriohar citereti forgårs
    Eventually he stopped in front of a display of leather helmets and asked me to translate a sign.

    It gave a summary of the conflict between the two Koreas that began in 1950, the North supported by the Soviets and China, the South by the US and the United Nations, the signing of the armistice on 27 July 1953 and the creation of this frontier on the 38th parallel, the world’s most heavily militarised border, in the midst of a no man’s land four kilometres wide and 238 kilometres in length. In the course of those three years, two to four millions deaths, both civilian and military. No peace treaty had ever been signed.

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