They distinguished between true and valuable dreams, sent to the dreamer to warn him or to foretell the future, and vain, fraudulent, and empty dreams, the object of which was to misguide or lead him to destruction.
Jillian Maxine Obozahar citeretsidste år
They distinguished between true and valuable dreams, sent to the dreamer to warn him or to foretell the future, and vain, fraudulent, and empty dreams, the object of which was to misguide or lead him to destruction.
Jillian Maxine Obozahar citeretsidste år
ancients before Aristotle did not consider the dream a product of the dreaming mind, but a divine inspiration
Martina Nicòle Pecchiolihar citeretsidste år
However strange the dream may seem, it can never detach itself from reality, and its most sublime as well as its most farcical
Martina Nicòle Pecchiolihar citeretsidste år
structures must always borrow their elementary material either from what we have seen with our eyes in the outer world, or from what has previously found a place somewhere in our waking thoughts; in other words, it must be taken from what we had already experienced either objectively or subjectively."
Martina Nicòle Pecchiolihar citeretsidste år
may justly say that no matter what the dream offers, it finds its material in reality and in the psychic life arrayed around this reality.
Martina Nicòle Pecchiolihar citeretsidste år
The dream is something absolutely separated from the reality experienced during the waking state; one may call it an existence hermetically sealed up and separated from real life by an unsurmountable chasm. It frees us from reality, extinguishes normal recollection of reality, and places us in another world and in a totally different life, which at bottom has nothing in common with reality...."
Martina Nicòle Pecchiolihar citeretsidste år
one upon the other, and the constant dependency of one upon the other.
Martina Nicòle Pecchiolihar citeretsidste år
Hildebrandt35 (1875), who believes that the peculiarities of the dream can generally be described only by calling them a "series of contrasts which apparently shade off into contradictions" (p. 8). "The first of these contrasts is formed on the one hand by the strict isolation or seclusion of the dream from true and actual life, and on the other hand by the continuous encroachment of the
Martina Nicòle Pecchiolihar citeretsidste år
combinations only a few elements from reality, or it only enters into the strain of our mood and symbolises reality."