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Paul Tremblay

The Four

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The Bram Stoker Award-winning author of A Head Full of Ghosts adds an inventive twist to the home invasion horror story in a heart-palpitating novel of psychological suspense
Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake, with their closest neighbours more than two miles in either direction.
As Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young and friendly. Leonard and Wen talk and play until Leonard abruptly apologises and tells Wen, “None of what’s going to happen is your fault”. Three more strangers arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”
So begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are intertwined.
The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.
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289 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2018
Udgivelsesår
2018
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Citater

  • kravenhar citeretfor 2 år siden
    The air is warm and humid, ready to burst. Wind rattles through the trees and small waves lap at the lakeshore below. The gray sky is a smear, a Neuromancer sky, dead and anachronistic.
  • kravenhar citeretfor 2 år siden
    She has this image of his god as all the black empty space between stars when you look up at the night sky, and this god of collected blankness is big enough to swallow the moon, the earth, the sun, the Milky Way, and big enough it couldn’t possibly care about anyone or anything.
  • kravenhar citeretfor 2 år siden
    In Wen’s bedroom back home there’s a night-light plugged into the wall across from her bed. It has a simple white bulb that isn’t shaped like a cartoon character or a comic book hero or an animal or the moon or anything in particular. She likes it that way; she doesn’t want any funny shapes because funny shapes make scary shadows.

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