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Masande Ntshanga

Triangulum

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From the award-winning writer of The Reactive, Triangulum is an ambitious, often philosophical and genre-bending novel that covers a period of over 40 years in South Africa's recent past and near future — starting from the collapse of the apartheid homeland system in the early 1990s, to the economic corrosion of the 2010s, and on to the looming, large-scale ecological disasters of the 2040s.

In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr. Naomi Buthelezi, a retired professor and science-fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a “force more powerful than humankind” is genuine. Thus begins Triangulum, a found manuscript composed of the mysterious woman's memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-Apartheid South Africa. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous novel.
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319 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2019
Udgivelsesår
2019
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Citater

  • jennaelirussellhar citeretfor 4 år siden
    I remember one evening when she didn’t seem to care about my grades. I helped her make macaroni and cheese that night, and we both laughed when it came out lopsided from the microwave.
  • jennaelirussellhar citeretfor 4 år siden
    I remembered how she wouldn’t speak to me if I came home with less than 95 percent on a test. How she wanted to arrange me into a shape she approved of. How little I’d resisted.
  • jennaelirussellhar citeretfor 4 år siden
    when I reach the threshold of the library, I feel faint and lean against the door-frame; which is when I see the machine and pass out

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