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Christa Wolf

Cassandra

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Cassandra, daughter of the King of Troy, is endowed with the gift of prophecy but fated never to be believed. After ten years of war, Troy has fallen to the Greeks, and Cassandra is now a prisoner, shackled outside the gates of Agamemnon's Mycenae. Through memories of her childhood and reflections on the long years of conflict, Cassandra pieces together the fall of her city. From a woman living in an age of heroes, here is the untold personal story overshadowed by the battlefield triumphs of Achilles and Hector.

This stunning reimagining of the Trojan War is a rich and vivid portrayal of the great tragedy that continues to echo throughout history.

'A beautiful work.' —
Bettany Hughes
'
Cassandra is fierce and feverish poetry that engages with the ancient stories while also charting its own path. Filled with passionate and startling insight into human nature.' —
Madeline Miller, author of The Song of Achilles
'Christa Wolf wrote books that crossed and overcame the divide of East and West, books that have lasted: the great, allegorical novels.' —
Günter Grass
'A sensitive writer of the purest water — an East German Virginia Woolf.' —
Guardian
'One of the most prominent and controversial novelists of her generation.' —
New York Review of Books
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381 trykte sider
Copyrightindehaver
Bookwire
Oprindeligt udgivet
2013
Udgivelsesår
2013
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Citater

  • Ivana Melgozahar citeretfor 2 måneder siden
    It was for his sake, whom I hated, and for the sake of my father, whom I loved, that I had avoided screaming their state secret out loud. There was a grain of calculation in my self-renunciation. Eumelos saw through me. My father did not.
  • Ivana Melgozahar citereti forgårs
    Oh, man’s fate, when happy, bears comparison

    to a shadow; when unfortunate –

    a damp sponge sweeps across and blots it out!

    And more than the shadow’s fate, this extinction pains me.
  • Ivana Melgozahar citereti forgårs
    Naturally Cassandra loved this god, or whatever he was; for that very reason she had to reject him when he grew obtrusive. Western female logic? More like male logic, witness Aeschylus. But why did she choose a man’s profession when she trained to be a seeress? Why did she want to become like men? Why was it in fact a man’s profession to be a seer? Had it always been so? If not, since when? And are those generally the sorts of questions that are able to free Cassandra from myth and literature?

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