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Penelope Lively

Moon Tiger

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“A powerful, moving and beautifully wrought novel about the ways in which lives are molded by personal memory and the collective past.” —The Boston Globe
Winner of the Man Booker Prize
Elderly, uncompromising Claudia Hampton lies in a London hospital bed with memories of life fluttering through her fading consciousness. An author of popular history, Claudia proclaims she’s carrying out her last project: a history of the world. This history turns out to be a mosaic of her life, her own story tangled with those of her brother, her lover and father of her daughter, and the center of her life, Tom, her one great love found and lost in war-torn Egypt. Always the independent woman, often with contentious relationships, Claudia’s personal history is complex and fascinating. As people visit Claudia, they shake and twist the mosaic, changing speed, movement, and voice, to reveal themselves and Claudia’s impact on their world.
“Emotionally, Moon Tiger is kaleidoscopic, deeply satisfying. The all too brief encounter between Claudia and Tom will surely rate as one of the most memorable of contemporary fictional affairs. This is one of the best novels I have read for years.” —The London Sunday Telegraph
“It pulls us in; it engages us and saddens us. It is also unexpectedly funny . . . It leaves its traces in the air long after you’ve put it away.” —The New York Times Book Review
“One of the very best Booker winners . . . it asks hard questions about memory and history and personal legacy; it’s stylistically demanding and inventive . . . a wonderful book.” —The Guardian
Denne bog er ikke tilgængelig i øjeblikket
252 trykte sider
Oprindeligt udgivet
2007
Udgivelsesår
2007
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Vurderinger

  • Natalia Sedovahar delt en vurderingfor 5 år siden
    👍Værd at læse
    🔮Overraskende
    🎯Læseværdig
    💞Superromantisk

Citater

  • Natalia Sedovahar citeretfor 6 år siden
    pulls out the stops
  • Darya Bukhtoyarovahar citeretfor 6 år siden
    Claudia types. She has to pause from time to time to shake sand from the typewriter. She types partly from expediency and partly to exorcise what is now printed on her eyeballs. She tries to reduce to words what she has seen and thought. She types also because she is dog-tired, thirsty, aching and bad-tempered and if she does not occupy herself she might give away some of this, and be ashamed
  • Darya Bukhtoyarovahar citeretfor 6 år siden
    Everyone, now, is cursing. The New Zealander has an interview lined up that he sees evaporating if they do not reach HQ by nightfall. The driver, who clearly regards Claudia as his special responsibility, says, ‘Don’t worry, miss, we’ll get you there.’ ‘I’m not worried,’ says Claudia, who is not. She takes the cover off her typewriter and sits in the cab of the truck, typing, while the desert roars around, now white, now sulphur, now rose-coloured

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