Ecco Books

“Litt is a funny and skillful storyteller… While the first half of the book is enjoyable, the second half is masterly, rising to a crescendo that is as rousing as, well, a particularly inspiring campaign speech.” — New York Times Book Review“Graceful, instructive, wry speechwriter memoirs like Litt’s are the exception rather than the norm. . . . Thanks, Obama will join the ranks of lasting works about the texture of political life, and of coming-of-age accounts by staffers who grow up personally and politically at the same time.” — The Atlantic“His time [in the White House] was as ‘hopey changey’ as advertised—with a little bit of absurdity and humor added into the mix.” — Elle, Best of the Month“Serve[s] as a more devastating indictment of the current administration than a campaign-style book ever could . . . limber, funny and illuminating.” — New Republic“Highly entertaining . . . much more than a scrapbook of Beltway gossip and Obama idolatry.” — Pacific Standard“Irresistibly charming … Litt minted his star converting world affairs into jokes. The translation of satire back to sincerity is trickier to pull off, and lands with its own undeniable grace.” — Slate“Litt is a skilled storyteller with a keen sense of humor and unique experiences and insight to draw upon.” — Bustle“Litt also offers both humor and optimism, two things many of us sorely need these days.” — Bustle, Best of the Month“What Litt understands and what Thanks, Obama makes clear may very soon be forgotten: The finest presidential speeches can heal the nation.” — Paste Magazine“A thoughtful and funny account of life as a minnow surrounded by Washington’s self-important whales . . . ranks with other classics from former White House speechwriters, such as Peggy Noonan’s What I Saw at the Revolution.” — USA Today, *** 1/2“Funny and unexpectedly moving . . . a powerful reminder that true fulfillment can come from wielding even the smallest bit of influence on behalf of those who have none.” — Washington Monthly“A fast, funny ride through the halls of power.” — Kirkus“Veering between tragedy and comedy, between self-doubt and hubris, Litt vividly recreates a period during which he saw his words sometimes become the words of a nation.” — Publishers Weekly“By turns moving and hilarious, David Litt’s rollicking account of his journey from campaign field grunt to presidential speechwriter is an irresistible read.” — David Axelrod, former Senior Advisor to Barack Obama and author of Believer: My Forty Years in Politics“David Litt has done the impossible: written a smart, insightful, and funny White House memoir you don’t have to be a political junkie to love. Even better, he takes us back to a saner more compassionate time when our president liked to read.” — Judd Apatow“Terrific—part first-hand story about being inspired by a cultural icon, part how-to manual for getting involved in politics and making change. Thanks, Obama is a hysterical, pithy, and heartfelt trip down memory lane. And boy, do we need it.” — Keegan-Michael Key“David Litt is brilliant. I’ve gotten to witness firsthand some of the work he did for President Obama at past White House Correspondents Dinners and it’s always intelligent, razor sharp and hilarious.” — Billy Eichner“An outstanding, hilarious, and precise memoir . . .  I laughed again and again. This is an excellent account of what it felt like to work for the Second to Last President of The United States.” — John Mulaney, co-creator and star of Oh, Hello“Don’t be fooled by the self-deprecating narrator, this portrait of a young speechwriter is filled with wit, wisdom, and a loving touch. David’s labors remind of us a not-so-distant past when words mattered. If I was a simpleton and a book critic, I’d say thumbs up.” — Matt Walsh, HBO’s Veep“David Litt is a natural storyteller and an absolute joy.” — Tig Notaro, author of I’m Just a Person“Thanks, Obama is a wonderful book for the same reasons David Litt’s speeches for the White House were wonderful: it’s well-written, it’s funny, it tells us exactly what we’re curious about, and. . . it reminds us that a great president galvanizes not only his staff but his country.” — Anne Fadiman, author of Ex Libris“Funny and warm, David Litt knows how to make people laugh regardless of their political affiliation.” — Mike Birbiglia, author of Sleepwalk With Me: And Other Painfully True Stories“A magnificent memoir on the Obama presidency. You’ll walk away with another kind of hope that’s needed now more than ever: the belief that a government can actually do some good.” — Adam Grant, author of Originals and coauthor of Option B“A talented (and very funny) speechwriter, David will make you laugh. He’ll make you miss Obama more than you do already. Most of all, he’ll renew your faith in the politics of hope.” — Stephanie Cutter, former deputy campaign manager for Barack Obama

A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would forever change music and popular culture.They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era. The year that changed everything for the Beatles was 1966—the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John’s explosive claim that the group was “more popular than Jesus,” the year they were hounded out of the Philippines for “snubbing” its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper’s Lonely Hearts Club Band. On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles’ lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2. By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar—and the Beatles themselves—Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.

My Usual Table is a love letter to the great restaurants that have changed the way we eat—from Trader Vic’s to Chez Panisse and Spago to elBulli—and a vivid memoir of a life lived in food, from a founding editor of Saveur and James Beard Award-winning writer Colman Andrews.For reviewer, writer, and editor Colman Andrews, restaurants have been his playground, his theater, his university, his church, his refuge. The establishments he has loved have not only influenced culinary trends at home and abroad, but represent the changing history and culture of food in America and Western Europe. From his usual table, he has watched the growth of Nouvelle Cuisine and fusion cuisine; the organic and locavore movements; nose-to-tail eating; and so-called “molecular gastronomy.”In My Usual Table, Andrews interweaves his own story—from growing up in the sunset years of Hollywood’s golden age to traveling the world in pursuit of great food—with tales of the restaurants, chefs, and restaurateurs who are emblematic of the revolutions great and small that have forever changed the way we eat, cook, and think about food.

In the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a woodsman who cuts off his hand with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.”Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points of view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.

Mossad is universally recognised as the greatest intelligence service in the world. It is also the most enigmatic, shrouded in a thick veil of secrecy. Many of its enthralling feats are still unknown; most of its heroes remain unnamed. From the kidnapping of Eichmann in Argentina and the systematic tracking down of those responsible for the Munich massacre to lesser-known episodes of astonishing espionage, this extraordinary book describes the dramatic, largely secret history of Mossad and the Israeli intelligence community. Examining the covert operations, the targeted assassinations and the paramilitary activities within and outside Israel, Michael Bar-Zohar and Nissim Mishal detail the great stories of Mossad and reveal the personal tales of some of the best Mossad agents and leaders to serve their country.

From Edgar Award nominee Debra Jo Immergut: a taut, twisting work of suspense about a woman haunted by her younger self. Abigail Willard first spots her from the back of a New York cab: the spitting image of Abby herself at age 22 — right down to the silver platforms and raspberry coat she wore as a young artist with a taste for wildness. But the real Abby is now 46, married with a corporate job and two kids. As the girl vanishes into a rainy night, Abby is left shaken. Was this merely a hallucinatory side-effect of working-mom stress? A message of sorts, sent to remind her of passions and dreams tossed aside? Or something more dangerous? As weeks go by, Abby continues to spot her double around her old New York haunts — and soon, despite her better instincts, Abby finds herself tailing her lookalike. She is dogged by a nagging suspicion that there is a deeper mystery to figure out, one rooted far in her past. All the while, Abby's life starts to slip from her control: her marriage hits major turbulence, her teenage son drifts into a radical movement that portends a dark coming era. When her elusive double presents her with a dangerous proposition, Abby must decide how much she values the life she's built, and how deeply she knows herself. You Again is an audaciously constructed novel, an unboxing of memory, desire, and regret — and an electrifying portrait of a woman hurtling toward the key crossroads of her life, where a secret lies buried like an undetonated bomb.

'A nimble and uncanny performance, brimming with Lethem's trademark verve and wit' Colson Whitehead, Pulitzer Prize-winning author of The Underground RailroadPhoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She's looking for her friend's missing daughter, Arabella, and hires Heist — a laconic loner who keeps his pet opossum in a desk drawer — to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble — caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe's trip to the desert was always going to be strange, but it was never supposed to be dangerous…Jonathan Lethem's first detective novel since Motherless Brooklyn, The Feral Detective is a singular achievement by one of our greatest writers.

“Orange Is the New Black meets Gone Girl in this ingenious psychological thriller.” (PW)Convicted of murder, destined for life in prison, Miranda is desperate for an escape. She signs up for sessions with the prison psychologist, Frank Lundquist, so that she can access the drugs to end it all. But unknown to her, Frank remembers her from high school, where, forgettable and unseen, he had a crush on Miranda Greene. Now, captivated again, his feelings deepen to obsession. What led the daughter of a former Congressman to commit such a terrible crime? And how can he make her remember him?As Miranda contemplates a dark future and a darker past, she soon realises that Frank might offer another way to the freedom she longs for. But at what cost?

'Part glamorous travelogue, part slow-burn mystery, this full-bodied tale of a runaway is at once formally inventive and heartbreakingly familiar… (It's also insanely funny.)' — Lena DunhamFrom the acclaimed author of Let the Northern Lights Erase Your Name and The Lovers comes a tensely drawn, spellbinding literary thriller.In Vendela Vida's taut and mesmerizing novel of ideas, a woman travels to Casablanca, Morocco, on mysterious business. Almost immediately, while checking into her hotel, she is robbed, her passport and all identification stolen. The crime is investigated by the police, but the woman feels there is a strange complicity between the hotel staff and the authorities-she knows she'll never see her possessions again.Stripped of her identity, she feels both burdened by the crime and liberated by her sudden freedom to be anyone at all. Then, a chance encounter with a film crew provides an intriguing opportunity: A producer sizes her up and asks, would she be willing to be the body-double for a movie star filming in the city? And so begins a strange journey in which she'll become a stand-in-both on-set and off-for a reclusive celebrity who can no longer circulate freely in society while gradually moving further away from the person she was when she arrived in Morocco.

Your Grandpa is a felon and a Christian. He says he's a felon because he's a Christian.
So says Aunt Sweet to her nephew Dustin, when her father, who has been raising Dustin, is arrested for hiding migrant workers. The law that makes harbouring 'illegals' an offence is the brainchild of the ferociously ambitious Oklahoma politician Monica Moorehouse.
Aunt Sweet takes Dustin in, but Dustin is bullied by her son Carl Albert, and goes on the run, aided by an illegal the sheriffs didn't find. Meanwhile, Sweet is asked by Dustin's married sister to hide her husband, Juanito, a Mexican without papers. As Grandpa Brown holds fast to his beliefs and Dustin remains missing, Aunt Sweet fights to hold the family together, and to do what seems right.
In a gripping and compelling narrative, Kind of Kin lays bare the consequences of a law that exiles workers, turns friends into informers, and tears apart families. It also shows how some — and ultimately a whole town — will unite to protect their own.

Rukhsana, a spirited young journalist in Kabul, is summoned to the infamous Ministry for the Propagation of Virtue and Prevention of Vice to face its terrifying minister, Zorak Wahidi. A cricket tournament is announced, with the winning team to travel to Pakistan for training and then represent Afghanistan at an international level.
In reality, the idea is ludicrous. The Taliban will never embrace a game rooted in civility, fairness and equality. And no one in Afghanistan even knows how to play cricket, except Rukhsana. The tournament offers hope — a means of escape for her brother and young cousins. And for Rukhsana, escape is essential — Wahidi wants to marry her, a frightening proposition which will enslave her in his home.
With the help of her cousins, Rukhsana devises an audacious plan that could ensure their freedom. All they have to do is learn to play cricket — and win.
A soaring novel of resilience, strength, hope and tenderness, The Taliban Cricket Club reveals how love can overcome, and outwit, the power of tyrants.