Jack Thorne

Jack Thorne’s plays for the stage include Harry Potter and the Cursed Child (Palace Theatre, London, 2016); The Solid Life of Sugar Water (Graeae and Theatre Royal Plymouth, 2015); Hope (Royal Court, London, 2015); adaptations of Let the Right One In (National Theatre of Scotland at Dundee Rep, the Royal Court and the Apollo Theatre, London, 2013/14) and Stuart: A Life Backwards (Underbelly, Edinburgh and tour, 2013); Mydidae (Soho, 2012; Trafalgar Studios, 2013); an adaptation of Friedrich Dürrenmatt’s The Physicists (Donmar Warehouse, 2012); Bunny (Underbelly, Edinburgh, 2010; Soho, 2011); 2nd May 1997 (Bush, 2009); When You Cure Me (Bush, 2005; Radio 3’s Drama on Three, 2006); Fanny and Faggot (Pleasance, Edinburgh, 2004 and 2007; Finborough, 2007; English Theatre of Bruges, 2007; Trafalgar Studios, 2007); and Stacy (Tron, 2006; Arcola, 2007; Trafalgar Studios, 2007).

His radio plays include Left at the Angel (Radio 4, 2007), an adaptation of The Hunchback of Notre Dame (2009) and an original play People Snogging in Public Places (Radio 3’s Wire slot, 2009).

He was a core writer in all three series of Skins (E4, Channel 4, BBC America), writing five episodes. His other TV writing includes The Fades (2012 BAFTA for Best Drama Series), Shameless, Cast-Offs, This is England ’86 (2011 Royal Television Society Award for Best Writer — Drama), This is England ’88, This is England ’90 and the thirty-minute drama The Spastic King.

His work for film includes the features A Long Way Down, adapted from Nick Hornby’s novel, and The Scouting Book for Boys, which won him the Star of London Best Newcomer Award at the London Film Festival 2009.
leveår: 6 december 1978 nu

Citater

מישל פאוקטיסטובhar citeretfor 5 måneder siden
Adolescence was a train ride no one really ex

גיל

Ingride santoshar citeretsidste måned
first a week of rehearsal with just the cast and me and Matt, then week two was the technical rehearsal, when everyone else came in,
Ingride santoshar citeretsidste måned
and week three was the shoot week, when we’d shoot the episode once in the morning, and once in the afternoon.

Vurderinger

Maya Monteroshar delt en vurderingfor 4 måneder siden
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    Adolescence: The Scripts
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