Jacques Rancière

Opposed movements, opposed modernities, opposed avant-gardes: the conflict over what modern times are has only intensified.

there is no one modern times, only a plurality of them, of frequently different, and sometimes contradictory, ways of thinking the time of modern politics or modern art in terms of progress, regression, repetition, arrest or overlapping times; different or contradictory ways of organizing the temporalities of the arts of movement

there is no one modern times, only a plurality of them, of frequently different, and sometimes contradictory, ways of thinking the time of modern politics or modern art in terms of progress, regression, repetition, arrest or overlapping times; different or contradictory ways of organizing the temporalities of the arts of movement

the way in which the time of politics is narrated and sought, to rethink it not as a line stretching between a past and a future, but as a conflict over the distribution of life forms.

fiction is not the invention of imaginary beings. In the first instance, it is a structure of rationality.

It is the construction of a framework within which subjects, things and situations are seen as belonging to a common world, while events can be identified and linked in terms of coexistence, succession and causal linkage.

Fiction is required whenever a certain sense of reality needs to be produced.

certain justice of time

matrix structure, connecting events that succeed one another, situations that are turned upside down, and subjects who experience their effect and acquire knowledge of them

think the relationship between time and justice