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Alison Gibbons,Robin van den Akker,Timotheus Vermeulen

Metamodernism

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Metamodernism: Historicity, Affect, Depth brings together many of the most influential voices in the scholarly and critical debate about post-postmodernism and twenty-first century aesthetics, arts and culture. By relating cutting-edge analyses of contemporary literature, the visual arts and film and television to recent social, technological and economic developments, the volume provides both a map and an itinerary of today’s metamodern cultural landscape. As its organising principle, the book takes Fredric Jameson’s canonical arguments about the waning of historicity, affect and depth in the postmodern culture of western capitalist societies in the twentieth century, and re-evaluates and reconceptualises these notions in a twenty-first century context. In doing so, it shows that the contemporary moment should be regarded as a transitional period from the postmodern and into the metamodern cultural moment.
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  • Стас Поздняковhar citeretsidste år
    The perverse amalgam of technophile pop-, meme- and game-culture styles with archaic interpretations of religion, of technicist-narzissist-self-realisational thinking and magical thinking, of versed image propaganda and archaic iconoclasm, is anything but exclusive to Islamist extremists. In fact, the ideological aspect appears to function as a pretext to legitimise the unfettered exertion of brutal power and the acting-out of ultra-violence, while in a state of severely repressed sexuality and mass-psychotic aversion of self-reflection (cf. Améry 1980; Scarry 1987; Theweleit 1987)
  • Стас Поздняковhar citeretsidste år
    Consequently, super-hybridity needs to be explored as more than just a set of artistic practices, but as a social practice that can be exploited for all sorts of ideological and political ends
  • Стас Поздняковhar citeretsidste år
    What we get is historioplastic metafiction

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