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Dani Shapiro

Still Writing

“Everything I know about life, I learned from the daily practice of sitting down to write.”From the best-selling author of Devotion and Slow Motion comes a witty, heartfelt, and practical look at the exhilarating and challenging process of storytelling. At once a memoir, meditation on the artistic process, and advice on craft, Still Writing is an intimate and eloquent companion to living a creative life. Through a blend of deeply personal stories about what formed her as a writer, tales from other authors, and a searching look at her own creative process, Shapiro offers her gift to writers everywhere: an elegant guide of hard-won wisdom and advice for staying the course. “The writer’s life requires courage, patience, empathy, openness. It requires the ability to be alone with oneself. Gentle with oneself. To be disciplined, and at the same time, take risks.” Writers—and anyone with an artistic temperament—will find inspiration and comfort in these pages. Offering lessons learned over twenty years of teaching and writing, Shapiro brings her own revealing insights to weave an indispensable almanac for modern writers.Like Anne Lamott’s Bird by Bird, Virginia Woolf’s A Writer’s Diary, and Stephen King’s On Writing, Dani Shapiro’s Still Writing is a lodestar for aspiring scribes and an eloquent memoir of the writing life.
193 trykte sider
Oprindeligt udgivet
2013

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    Aureliahar citeretfor 4 år siden
    What I do know–-what I’ve spent the past couple of decades learning about myself—is that if I’m not writing, I’m not well. If I’m not writing, the world around me is slowly leached of its color. My senses are dulled.
    Katya Kovalyovahar citeretfor 3 år siden
    “I have to get lost so I can invent some way out.”
    Reemhar citeretsidste år
    This is the writer’s mind when embarking on a piece of work. We sit perched in front of our laptop screen, or our spiral-bound notebook, or giant desktop monitor, and—we freeze. After all, it’s so important, isn’t it, where we start? Don’t we need a plan? Hadn’t we better know where we’re going? The stakes feel impossibly high. We’re convinced that first word will dictate every word that follows. We are tyrannized by our options. All sorts of voices scream in our heads. First person or third? Present tense or past? The span of five minutes? Or two hundred years? What the hell are we doing? We don’t know.

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