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Anne Tyler

Breathing Lessons

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Amazon.com ReviewMaggie Moran's mission is to connect and unite people, whether they want to be united or not. Maggie is a meddler and as she and her husband, Ira, drive 90 miles to the funeral of an old friend, Ira contemplates his wasted life and the traffic, while Maggie hatches a plant to reunite her son Jesse with his long-estranged wife and baby. As Ira explains, “She thinks the people she loves are better than they really are, and so then she starts changing things around to suit her view of them.” Though everyone criticizes her for being “ordinary,” Maggie's ability to see the beauty and potential in others ultimately proves that she is the only one fighting the resignation they all fear. The book captured the Pulitzer Prize for literature in 1989.
From Publishers WeeklyIn perhaps her most mainstream, accessible novel so far, Tyler spins a tale of marriage and middle-class lives, in an age when social standards and life expectations have gone askew. While she remains a brilliant observer of human nature, there is a subtle change here in Tyler's focus. Where before her protagonists were eccentric, sometimes slightly fantastical characters who came at the end to a sense of peace, if not happiness, Maggie Moran and her husband Ira are average, unexceptional, even somewhat drab; and outside of some small epiphanies, little is changed between them at the story's close. It's this very realism that makes the story so effective and moving. Taking place on one summer day, when Maggie and Ira drive from Baltimore to Pennsylvania to a funeral, with an accidental detour involving an old black man they pass on the road and a side trip to see their former daughter-in-law and their seven-year-old grandchild, the novel reveals the basic incompatibility of their 28-year marriage and the love that binds them together nonetheless. This is another typical Tyler union of opposites: Maggie is impetuous, scatterbrained, klutzy, accident prone and garrulous; Ira is self-contained, precise, dignified, aloof with, however, an irritating (or endearing ) habit of whistling tunes that betray his inner thoughts. Both feel that their children are strangers, that the generations are “sliding downhill,” and that somehow they have gone wrong in a society whose values they no longer recognize. With irresistibly funny passages you want to read out loud and poignant insights that illuminate the serious business of sharing lives in an unsettling world, this is Tyler's best novel yet. 175,000 first printing ; BOMC main selection; Franklin Library signed first edition. Copyright 1988 Reed Business Information, Inc.
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Citater

  • Ksenia Makarovahar citeretfor 6 år siden
    "It's just time to marry, that's all," she said. "I'm so tired of dating!
    I'm so tired of keeping up a good front! I want to sit on the couch with a regular, normal husband and watch TV for a thousand years. It's going to be like getting out of a girdle; that's exactly how I picture it."
  • Ksenia Makarovahar citeretfor 6 år siden
    Why did popular songs always focus on romantic love? Why this preoccupation with first meetings, sad partings, honeyed kisses, heartbreak, when life was also full of children's births and trips to the shore and longtime jokes with friends? Once Maggie had seen on TV where archaeologists had just unearthed a fragment of music from who knows how many centuries B.C., and it was a boy's lament for a girl who didn't love him back. Then besides the songs there were the magazine stories and the novels and the movies, even the hair-spray ads and the panty hose ads. It struck Maggie as disproportionate. Misleading, in fact.
  • Ksenia Makarovahar citeretfor 6 år siden
    Serena had made such a point of being different. She was so thorny and spiky, so quick to get her hackles up and order you out of her sight forever. (How many times had she and Maggie stopped speaking-Serena swishing past as grandly as a duchess?)

På boghylderne

  • Xyxy Othodov
    Pulitzer
    • 54
    • 18
  • yatanita
    English
    • 49
    • 2
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