From Publishers WeeklyStarred Review. Efforts to make language simpler, clearer, less divisive and more truthful have backfired spectacularly, to judge by this delightful tour of linguistic hubris. Linguist Okrent explores some of the themes and shortcomings of 900 years worth of artificial languages. She surveys philosophical languages that order all knowledge into self-evident systems that turn out to be bizarrely idiosyncratic; symbol languages of supposedly crystalline pictographs that are actually bafflingly opaque; basic languages that throw out all the fancy words and complicated idioms; rigorously logical languages so rule-bound that it's impossible to utter a correct sentence; international languages, like Esperanto, that unite different cultures into a single idealistic counterculture; and whimsical constructed languages that assert the unique culture and worldview of women, Klingons or chipmunks. Okrent gamely translates to and from these languages, with unspeakably hilarious results, and riffs on the colorful eccentricities of their megalomaniacal creators. Fortunately, her own prose is a model of clarity and grace; through it, she conveys fascinating insights into why natural language, with its corruptions, ambiguities and arbitrary conventions, trips so fluently off our tongues._ (May 19)_
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Review“Hats off to Okrent, who expertly exposes the history, culture, and preoccupations of this insular tribe who live among us. She rescues language inventors, or conlangers, from the oddball bin—utopianists all, they're the first biotechnologists, trying to leapfrog evolution and improve human life. They'll thank her but everyone else will, too, for finally making sense of the conlangers' discontents.” —Michael Erard, author of_ Um…: Slips, Stumbles, and Verbal Blunders, and What They Mean_
“A lively, informative, insightful examination of artificial languages—who invents them, why, and why most of them fail. I loved this book.”—Will Shortz, Crossword Editor,_ New York Times_
“Linguist Okrent explores some of the themes and shortcomings of 900 years worth of artificial languages. …Okrent gamely translates these languages with unspeakably hilarious results, and riffs on the colorful eccentricities of their megalomaniacal creators. Fortunately, her own prose is a model of clarity and grace; through it, she conveys fascinating insights into why natural language, with its corruptions, ambiguities and arbitrary conventions, trips so fluently off our tongues.” — Publishers Weekly, starred review
“Arika Okrent is a linguist whose fascination with the “faded plastic flowers” in the “lush orchid garden of languages” is recounted to delightful, often comic effect in “In the Land of Invented Languages.”…Okrent's style is eminently suited to her approach, which is at once serious and playful, exemplified by her marvelous, snappy opening sentence: “Klingon speakers … inhabit the lowest possible rung on the geek ladder.”— _Pittsburgh Post-Gazette
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«The author…examines a variety of would-be languages and related philosophical tenets (there are no pure ideas, all signs depend on conventions) in a rigorously linguistical way. And yet her book is a pleasure to read. It shows how language systems connect, or don’t connect, with people.”—_New York Times_
“Anyone who has felt the lure of words, odd grammatical systems or the potential connections between human thought and speech, is likely to enjoy this book just as much as I did.”— Locus
"'In the Land of Invented Languages is a delight to read. It's humorous, intelligent, entertaining and highly informative. And it's a great source of knowledge about human languages and why they exasperate some people — because they are not perfect. But neither are we.”—_San Francisco Chronicle_
“Okrent is a professional linguist and relates the place of these artificial languages in the confusion of human languages. She is also a great storyteller, and eccentric characters and dashed dreams are the stuff of this delightful book. "—_Denver Post
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From the Hardcover edition.
She sees the predominance of these other symbol systems as “a reflection of how society treats disability—‘pictures are good enough.’ There's no concern with enriching. They aren't worried about the dignity of full language.”
