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Eugenia Paulicelli,Drake Stutesman,Louise Wallenberg

Film, Fashion, and the 1960s

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A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day’s Night to Breakfast at Tiffany’s, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.
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420 trykte sider
Oprindeligt udgivet
2017
Udgivelsesår
2017
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Citater

  • reizen99186har citeretfor 3 år siden
    was out of innovation in both fashion and film that a new aesthetic and politics of style were born, redefining cultural and social class boundaries and age hierarchies in an urban environment that was undergoing huge economic and political transformations. Fashion materialized these changes in society and addressed them cinematically.
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