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Elena Ferrante

Those Who Leave and Those Who Stay

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Part of the bestselling saga about childhood friends following different paths by “one of the great novelists of our time” (The New York Times).
In the third book in the New York Times–bestselling Neapolitan quartet that inspired the HBO series My Brilliant Friend, Elena and Lila have grown into womanhood. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up for women during the 1970s. And yet, they are still very much bound to each other in a book that “shows off Ferrante’s strong storytelling ability and will leave readers eager for the final volume of the series” (Library Journal).
“One of modern fiction’s richest portraits of a friendship.” —NPR
Denne bog er ikke tilgængelig i øjeblikket
473 trykte sider
Oprindeligt udgivet
2014
Udgivelsesår
2014
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Vurderinger

  • Olga Nerushevahar delt en vurderingfor 7 år siden
    👍Værd at læse

    К концу третьей части, прочитанной взахлёб, начинает казаться, что и у этого сериала первые сезоны были самые классные.

  • Itzel Beltránhar delt en vurderingfor 3 år siden
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    Buen libro, el tercero de la tetralogía. Terminé con sentimientos encontrados, coraje, sorpresa. Gran historia que no puedes dejar de leer.

  • Gabriela Martínez Reynahar delt en vurderingfor 3 år siden
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    🔮Overraskende
    🎯Læseværdig
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Citater

  • b2938014837har citeretfor 2 år siden
    showed that he knew the history of Naples, the literature, fables, legends, anecdotes, the visible monuments and those hidden by neglect. I imagined that he knew about the city in part because he was a man who knew everything, and in part because he had studied it thoroughly, with his usual rigor, because it was mine, because my voice, my gestures, my whole body had been subjected to its influence.
  • Gabriela Martínez Reynahar citeretfor 3 år siden
    Besides, what could I do about it? I said to myself that maturity consisted in accepting the turn that existence had taken without getting too upset, following a path between daily practices and theoretical achievements, learning to see oneself, know oneself, in expectation of great changes.
  • Gabriela Martínez Reynahar citeretfor 3 år siden
    How exciting it was to lift off from the ground with a jerk and see the houses that became parallelopipeds and the streets that changed into strips and the countryside that was reduced to a green patch, and the sea that inclined like a compact paving stone, and the clouds that fell below in a landslide of soft rocks, and the anguish, the pain, the very happiness that became part of a unique, luminous motion.

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