Campbell was exposed not only to the great, groundbreaking novels of James Joyce and Thomas Mann and the radical art of Pablo Picasso, Antoine Bourdelle, and Paul Klee, all of whom integrated mythic motifs into their very modern work, but also to the revolutionary psychological teachings of Sigmund Freud and Carl Gustav Jung. These last two brought young Joseph Campbell to the epiphany that, as he would later put it, “Myths are public dreams; dreams are private myths.”[1]