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Carmen Maria Machado

In the Dream House

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A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties

In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of…
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    сложно втянуться в повествование, непохожее на другие книги, но когда ты все же ныряешь, оторваться уже нельзя. ты ловишь особое настроение. книга напоминает тягучий кошмар, долгий сон, который никак не кончится; он то пугает жестокостью, то расслабляет приятными моментами (но ты всегда знаешь, что они кончатся, и тревожно этого ждешь).
    подойдет для всех любительниц необычных книг и тех, кто хочет увидеть качественную репрезентацию лгбт-сообщества.

Citater

  • Dani CyChar citeretfor 10 dage siden
    I enter into the archive that domestic abuse between partners who share a gender identity is both possible and not uncommon, and that it can look something like this. I speak into the silence. I toss the stone of my story into a vast crevice; measure the emptiness by its small sound.
  • Dani CyChar citeretfor 10 dage siden
    .” When I first learned about this etymology, I was taken with the use of house (a lover of haunted house stories, I’m a sucker for architecture metaphors), but it is the power, the authority, that is the most telling element. What is placed in or left out of the archive is a political act, dictated by the archivist and the political context in which she lives. This is true whether it’s a parent deciding what’s worth recording of a child’s early life or—like Europe and its Stolpersteine, its “stumbling blocks”—a continent publicly reckoning with its past. Here is where Sebastian took his first fat-footed baby steps; here is the house where Judith was living when we took her to her death.
  • Kingahar citeretfor 7 måneder siden
    There is a Panamanian folktale that ends with: “My tale goes only to here; it ends, and the wind carries it off.” It’s the only true kind of ending.

    Sometimes you have to tell a story, and somewhere, you have to stop.

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